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The past fortnight’s gone by so fast I can’t believe it’s news time again. So what’s been happening? After having Trevor and Scott here the week before last and myriad meetings about the triumphs, trials and tribulations of the project, last week really launched us back into the day-to-day operations of the work on the ground, forcing us to test the theories we’d discussed against the realities of running a project with such extensive vision from week to week.
What we’ve tried to do between being away on tours and out bush and planning and organising these trips, as well as producing and managing the website and short community films, is to continue to offer a workshop program in town, aimed at young people and their families, especially Pitjantjatjara people living in town camps. This program has attracted and engaged many inspiring artsworkers and participants over time and has established a creative and dynamic space for all of us to work in.
The community involved in the project who live in town however is
made up of people for whom regular programs (including school) has not
worked for one reason or another. Factors such as cultural and family
obligations, sickness, sorry business (grieving after the passing of
family or friends), and high levels of transience between town and bush
communities, are all at play to limit consistent participation. While
we passionately believe in the value of what we are doing in terms of
seeking alternative points of engagement through the arts (and have
seen many many inspiring results over the project’s duration) it can be
challenging sustaining the energy for a regular program in town.
So rather than continue striving to offer a regular two-day
program of activities each week as a discreet activity we’re shifting
our focus a little around here to find points of community engagement
in what’s already happening. When we mapped out the next 18 months of
the project we were excited and overwhelmed at how much we have on our
communal plate, including the production of a documentary, upcoming
filmmaking workshops in Ernabella in July and the SA/NT tour in
September/October. We have also received funding through the Department
of Families, Housing, Community Services and Indigenous Affairs
(FaHCSIA) to develop a mobile gallery to house and share the images and
text produced by project participants throughout the project.
One of the sites for this is Abbott’s camp where many of the project’s
participants live. After ongoing discussions with people down at
Abbott’s camp in the last couple of weeks Beth, our arts worker, and
Jane (literacy and learning) started the first of a series of Wednesday
workshops in the newly renovated community building. They spent a
lovely afternoon sitting on the veranda in the sun with the women
talking in both English and Pitjantjatjara about what they would like
to do in the workshops. The ladies expressed an interest in creating a
newsletter or magazine for Abbott’s camp, where they could share the
stories of young and old residents, talk about their experiences of the
establishment of the camp, publish some pictures and express their
views about the positive aspects of the camp and the values that they
hope visitors will respect. Two stories were recorded collaboratively on that first day.
Meanwhile, young people, both living in town and visiting from out
bush, continue to drop in to look at photos and films, listen to music,
work on collage inspired by Beth, or create photo comics on the
computer programs with which most are now familiar and competent. The
focus of work in the upcoming months will be on reflecting on and
creating artwork from the wealth of material we have about Ngapartji
Ngapartji activity for inclusion in the mobile gallery which can travel
with us to events throughout the year.
And while we’ve been navigating our work on the ground, long-term
project participant and established watercolour artist Elton Wirri has
been high-flying it with Big hART Director Scott Rankin, who co-presented at the Deakin
Lectures in Victoria last week. Under a theme of the Thirst for
Knowledge, the lectures this year focused on innovation as a driver of
the economy.
By sharing the podium Elton and Scott used different kinds of
literacies - Scott speaking, Elton drawing – to illustrate that we have
to be careful about whose knowledge we thirst for, and whether everyone
has to thirst for Western knowledge. The presentation also suggested
that seeing innovation foremost as an economic imperative will leave
many people further
behind. Scott stated that we need to see it as a cultural imperative from which economic benefits also flow.
According to Scott, ‘Elton was visually eloquent, his illustration of
ngura (country) making it crystal clear that there were many things he
knew which we didn't and we weren't thirsting for those, rather we were
requiring him to thirst first and foremost for ‘our’ knowledge,
hence... robbing him of the recognition of what he already knows.’
That’s it for the news this fortnight. Just a note that our language
policy researcher Melanie Gillbank will be facilitating a language
policy discussion with Alex at Lingfest in Sydney in July at the
Indigenous Languages Institute (ILI 2008). If you’re interested in finding out more go to:
www.lingfest.arts.usyd.edu.au/ILIregistration.html.
Dani Powell
Community Producer
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